Text that reads 'WILD & IN COLOR' in white, handwritten style font on a black background.

How does the prism of race & ethnicity bend perceptions of wildness? How do birds inspire me to watch, write and revere all the wild there is? How do I connect culture to conservation? Subscribe to Wild & In Color and see my pondering on all these things.

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Book cover with illustrations of four birds clutching pink teardrop-shaped objects in their beaks. The background is purple, and the title is "Joy is the Justice We Give Ourselves" by J. Drew Lanham.

Joy is the Justice We Give Ourselves

In gorgeous and timely pieces, Joy Is the Justice We Give Ourselves is a lush journey into wildness and Black being. Lanham notices nature through seasonal shifts, societal unrest, and deeply personal reflection and traces a path from bitter history to the present predicament. Drawing canny connections between the precarity of nature and the long arm of racism, the collection offers reconciliation and eco-reparation as hopeful destinations from our current climate of division. In Joy is the Justice We Give Ourselves, Lanham mines the deep connection to ancestors through the living world and tunes his unique voice toward embracing the radical act of joy.

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Lanham is warmly contemplative, righteous, incensed, funny, and grateful. His poetics, knowledge, and dissent run deep; his poems are winged.
— Booklist, Starred Review
Book cover titled 'The Home Place' with a light blue background, black tree branches around the edges, and a small bird silhouette in the center.

The Home Place: Memoirs of a Colored Man's Love Affair with Nature 

Winner of the Southern Book Prize • Winner of the Reed Award from the Southern Environmental Law Center • Foreword Reviews Best Book of the Year • Nautilus Silver Award Winner • Finalist for the John Burroughs Medal

In me, there is the red of miry clay, the brown of spring floods, the gold of ripening tobacco. All of these hues are me; I am, in the deepest sense, colored.

Dating back to slavery, Edgefield County, South Carolina—a place “easy to pass by on the way somewhere else”—has been home to generations of Lanhams. In The Home Place, readers meet these extraordinary people, including Drew himself, who over the course of the 1970s falls in love with the natural world around him. As his passion takes flight, however, he begins to ask what it means to be “the rare bird, the oddity.”

 By turns angry, funny, elegiac, and heartbreaking, The Home Place is a meditation on nature and belonging by an ornithologist and professor of ecology, at once a deeply moving memoir and riveting exploration of the contradictions of black identity in the rural South—and in America today.

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When you’re done with The Home Place, it won’t be done with you. Its wonders will linger like everything luminous.
— Star Tribune
A lyrical story about the power of the wild…synthesizes his own family history, geography, nature, and race into a compelling argument for conservation and resilience.
— National Geographic
Book cover for 'Sparrow Envy: Field Guide to Birds and Lesser Beasts' by J. Drew Lanham, featuring stylized illustrations of sparrows and a natural background with trees.

Sparrow Envy : Field Guide to Birds and Lesser Beasts

You are a rare bird, easy to see but invisible just the same. 

That thought is close at hand in Sparrow Envy: Field Guide to Birds and Lesser Beasts, as renowned naturalist and writer J. Drew Lanham explores his obsession with birds and all things wild in a mixture of poetry and prose. He questions vital assumptions taken for granted by so many birdwatchers: can birding be an escape if the birder is not in a safe place? Who is watching him as he watches birds?

With a refreshing balance of reverence and candor, Lanham paints a unique portrait of the natural world: listening to cicadas, tracking sandpipers, towhees, wrens, and cataloging fellow birdwatchers at a conference where he is one of two black birders. The resulting insights are as honest as they are illuminating.

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